The poetry chosen also demonstrates the Bentivoglio connection: Frescobaldi sets texts by three authors from Ferrara, Annibale Pocaterra, Giovanni Battista Guarini and Orazio Ariosti, the Bologna writer Cesare Rinaldi, as well as Giambattista Marino, whom Bentivoglio admired, and imitated in his own writings.
- Complete madrigals (Musical score, ) [unpogamosa.gq].
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Other poems are now thought to be by Bentivoglio himself or his brother Enzo. Returning to the dedication, we. The result is an edition by one of the best-known publishers of the period, made under the personal supervision of the composer, providing a rare and welcome guarantee of reliability.
- Etude Op.66 No.33 - Piano.
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- Affetti Amorosi, Libro 1 (Negri, Marcantonio).
This first and only collection by Frescobaldi may prove disappointing, it should be said, to those who look for audacious and idiosyncratic touches, for madrigals that provide the thrill of extreme chromaticism, or are fascinated by the unusual harmonic sequences and formal daring of a Gesualdo or a Monteverdi. With his Opus 1, written when he was barely 25 years old, the composer paid a masterly homage to the musical tradition and culture of his formation in Ferrara, vying with his teachers and skilfully assimilating their language, and recasting it in a personal but not drastically different way.
The nineteen madrigals with which Frescobaldi introduced himself have an admirable clarity of formal design that gives each line its due weight in terms of duration and emotion, and a transparent counterpoint that favours delicacy over density as a stylistic means, homophonic and polyphonic sections being cleverly alternated. It is pleasing to see the respect that Frescobaldi pays to the texts: the words are set to graceful melodic phrases, and never obscured by excessive counterpoint, but interpreted literally with immediate attention to meaning.
I leave to the listener the pleasure of discovering the many metaphorical links between text and music, but I would like to single out a few, by way of example. In No. In his madrigals Frescobaldi thus adopts a style that leaves room for florid vocal decorations and elements of colour from the instrumentation. In a number of other instances, contemporary reports have provided an ideal guide to interpretation.
Bettina Hoffmann. Bettina Hoffmann Bettina Hoffmann is a viol player, cellist, musicologist and director of the ensemble Modo Antiquo. She gained her cello diploma at the Mannheim Musikhochschule, and took postgraduate classes in viol playing under Wieland Kuijken.
Affetti Amorosi, Libro 1 (Negri, Marcantonio) - IMSLP: Free Sheet Music PDF Download
Two Modo Antiquo recordings were nominated for Grammy Awards in and Bettina Hoffmann is lecturer in viol at the Conservatorio di Vicenza and lecturer in viol and early ensemble music at the Scuola di Musica di Fiesole. Modo Antiquo Modo Antiquo brings together musicians devoted to a combination of instrumental and vocal virtuosity and a profound knowledge of idioms and historic performance practices. Modo Antiquo stands out for its particular approach to Italian Baroque music, and has established itself as one of the most dynamic and gifted ensembles.
It is regularly invited to the leading festivals and the most prestigious concert halls. In it gave the first performance in modern times of Motezuma, rediscovered after years, at the De Doelen Concertgebouw in Rotterdam. The ensemble also records for Deutsche Grammophon, for whom it has recently made an anthology of Handel opera arias. Translations: Kenneth Chalmers. Annibale Pocaterra. Ella tace piangendo, ella piange ed io piango, ella vien meco ed io seco rimango.
Lidia, ti lasso, ahi lasso, ma in pegno il cor ti lasso.
17: Vocal Music
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I was told that since I had a premium economy seat selected, the business class seat map could not be viewed! This is the first time I have flown Lufthansa and right now I am very frustrated that they cannot tell me where I am sitting! The plane is a star alliance plane. Is anyone familiar with the layout? There is no such seat number on any version of that plane. If you want to look at business seats, go to seatguru, or just do a dummy booking on LH's webpage. But when you look up Lufthansa "city line" you are told that they only operate within Europe.
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Seat 6A (Taste Of Fear)
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